Still Lives: A Novel
(eAudiobook)

Book Cover
Average Rating
Published
HighBridge, 2018.
ISBN
9781684412457
Status
Available Online

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Physical Description
9h 37m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Maria Hummel., Maria Hummel|AUTHOR., & Tavia Gilbert|READER. (2018). Still Lives: A Novel . HighBridge.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Maria Hummel, Maria Hummel|AUTHOR and Tavia Gilbert|READER. 2018. Still Lives: A Novel. HighBridge.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Maria Hummel, Maria Hummel|AUTHOR and Tavia Gilbert|READER. Still Lives: A Novel HighBridge, 2018.

MLA Citation, 9th Edition (style guide)

Maria Hummel, Maria Hummel|AUTHOR, and Tavia Gilbert|READER. Still Lives: A Novel HighBridge, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID82439044-0750-8ba5-c4cb-b00bef3aced0-eng
Full titlestill lives
Authorhummel maria
Grouping Categorybook
Last Update2024-03-27 21:55:45PM
Last Indexed2024-03-29 02:20:03AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 15, 2023
Last UsedFeb 26, 2024

Hoopla Extract Information

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    [synopsis] => Kim Lord is an avant garde figure, feminist icon, and agent provocateur in the L.A. art scene. Her groundbreaking new exhibition Still Lives is comprised of self-portraits depicting herself as famous, murdered women-the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others-and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women. As the city's richest art patrons pour into the Rocque Museum's opening night, all of the staff, including editor Maggie Richter, hope the event will be enough to save the historic institution's flailing finances. Except Kim Lord never shows up to her own gala. Fear mounts as the hours and days drag on and Lord remains missing. Suspicion falls upon the up-and-coming gallerist Greg Shaw Ferguson, who happens to be Maggie's ex. A rogue's gallery of eccentric art world figures could also have motive for the act, and as Maggie gets drawn into her own investigation of Lord's disappearance, she'll come to suspect all of those closest to her.
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